Revue Shows
Dir. Dan Posthuma
Shipshe Gospel Jubilee, Classic Country Countdown Music Revue, Songs of The Season
Josiah For President
Dir. Bobby Hall
When former Congressman Mark Stedman throws in the towel on his presidential campaign, his only choice is to return to his home state and decide how to spend the rest of his life ... until he meets Josiah Stoltzfus, an Amish farmer from Pennsylvania. Stedman learns more from Josiah in a few hours than in his many years in office. He comes to the conclusion that someone like Josiah should be running the country. Not a career politician, but someone with a little old-fashioned common sense, someone who's not afraid of rolling up his sleeves and getting his hands dirty. Someone like Josiah Stoltzfus.
SINGIN' IN THE RAIN
Dir. Yadiel Vispo
When two silent movie stars', Don Lockwood and Lina Lamont, latest movie is made into a musical a chorus girl is brought in to dub Lina's speaking and singing.
MAMEYES 3:30
Dir. Alejandro Primero
This theatrical production recalls the events of the early morning of Monday, October 7, 1985 in Mameyes, the mountain in the La Cantera neighborhood in Ponce, where intense downpours caused by a tropical wave undermined its foundations until it collapsed just at 3:30 in the morning, leaving approximately 130 dead and 300 other victims, many of whom could never be rescued from the place, becoming one of the worst landslides in the history of Puerto Rico.
La Guagua Aérea
Dir. Aidita Encarncación
Ten Puerto Ricans looking for a better life take an airplane trip to New York during 1960's
JESUSCHRIST SUPERSTAR!
Dir. Felix Colón
The story, told entirely through song, explores the personal relationships and struggles between Jesus, Judas, Mary Magdalene, his disciples, his followers and the Roman Empire.
LA CARRETA, THE MUSICAL!
Dir. Gil René
The story follows a family of "jíbaros", or rural peasants, who in an effort to find better opportunities end up moving to the United States(see Puerto Rican migration to New York). The story is divided in three acts, each focusing on a specific location.
MAMMA MIA!
Dir. Yadiel Vispo
Donna, an independent hotelier in the Greek islands, is preparing for her daughter's wedding with the help of two old friends. Meanwhile Sophie, the spirited bride, has a plan. She secretly invites three men from her mother's past in hope of meeting her real father and having him escort her down the aisle on her big day.
CHARLIE THE MUSICAL
Dir. Alejandro Primero
“Charlie, the musical” is a story based on historical events in the life of the first Puerto Rican blessed, Carlos Manuel Cecilio Rodríguez Santiago, better known among his friends as Charlie. His most significant secular work was carried out among the students of the University of Puerto Rico (UPR). That is why the plot of “Charlie, the musical” takes place almost entirely behind the walls of the IUPI, with the intrigues that were experienced in its time. The musical shows the most important aspects of the life of Charlie the Blessed, a historical figure who revolutionized the way of thinking in his time in the 50s and 60s.
HERCULES!
Dir. Estelín Cedeno
Hercules, a son of gods, was snatched as a baby by Hades and forced to live among mortals as a half-man, half-god. Now a teenager, Hercules needs to perform a rite of passage on Earth to prove himself worthy of living with the gods on Mount Olympus. With his plucky satyr sidekick, Philoctetes, along for the ride, Hercules must learn how to use his strength to defeat a series of evil creatures.
BEAUTY AND THE BEAST
Dir. Raúl de La Paz
The fantastic journey of Belle, a bright, beautiful and independent young woman who is taken prisoner by a beast in his castle. Despite her fears, she befriends the castle’s enchanted staff and learns to look beyond the Beast’s hideous exterior and realize the kind heart and soul of the true Prince within. .
PLATERO AND I
Dir. Julia Thompson
Platero is a silver-colored donkey ("plata" means silver in Spanish; "platero" means "silvery") who throughout the years is seemingly the only constant friend and companion of the author, who makes observations to and confides in him. The author believes that Platero understands everything, except for the language of humans, just as humans do not know the language of animals, but he gives his master joy and sincere warmth.
